Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Richard Parkes Bonington
View of the Lagoon near Venice (mk05)

ID: 20835

Richard Parkes Bonington View of the Lagoon near Venice (mk05)
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Richard Parkes Bonington View of the Lagoon near Venice (mk05)


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Richard Parkes Bonington

1802-1828 Richard Parkes Bonington Locations English painter. His father, also called Richard (1768-1835), was a provincial drawing-master and painter, exhibiting at the Royal Academy and the Liverpool Academy between 1797 and 1811. An entrepreneur, he used his experience of the Nottingham lace-manufacturing industry to export machinery illegally to Calais, setting up a business there in late 1817 or early 1818. In Calais the young Richard Parkes Bonington became acquainted with Louis Francia, with whom he consolidated and expanded whatever knowledge of watercolour technique he had brought with him from England. Under Francias direction Bonington left Calais for Paris where, probably not before mid- or late 1818, he met Eugene Delacroix. The latters recollection of Bonington at this time was of a tall adolescent who revealed an astonishing aptitude in his watercolour copies of Flemish landscapes. Once in Paris Bonington embarked on an energetic and successful career, primarily as a watercolourist. In this he was supported by his parents who sometime before 1821 also moved to Paris, providing a business address for him at their lace company premises.  Related Paintings of Richard Parkes Bonington :. | The Parterre d'Eau at Versailles (mk05) | Beach in Normandy (mk09) | Sunset in the Pays de Caux | View of the Lagoon Near Venice | The Column of St Mark in Venice (mk09) |
Related Artists:
Ciudad de la Pintura

Charlotte Wahlstrom
painted Lake landscape at dusk in 1887
FABRITIUS, Carel
Dutch Baroque Era Painter, 1622-1654 Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure






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